Alright...before i start..lemmeh get a few things straight 1st, In before 'don't be lazy & go create your own blog lah zomg..this is a SHARED blog and not ur personal blog' for those slowpokes out there who are reading my
Alright...in before is a corruption of the Occupatio technique which presumably originated on 4chan at least 100 years ago, but has since spread like wildfire over the Internets. It is used as a first reply to meme-baiting posts in order to thoroughly pwn the noob who started the thread as well as ruin the fun of all future posters to that thread. Unfortunately, faggots generally carry on regardless..'whenever you feel like criticizing any one, just remember that all the people in this world haven’t had the advantages that you’ve had.'And just how many people could there be in such a circle, here close to the top of the Western Slope? The Roydmans, Annie Wilkes, maybe ten or twelve others? And just because it hadn't been found so far didn't mean it wouldn't be found. His vivid imagination (which he had not gotten from anyone on his mother's side of the family) now took over. The cop was tall, handsome in a cold way, his sideburns perhaps a bit longer than regulation. He was wearing dark sunglasses in which the person being questioned would see his own face in duplicate. His voice had a flat Midwestern twang. We've found an overturned car halfway down Humbuggy Mountain which belongs to a famous writer named Paul Sheldon. There's some blood on the seats and the dashboard, but no sign of him. Must have crawled out, may even have wandered away in a daze - That was a laugh, considering the state of his legs, but of course they would not know what injuries he might have sustained. They would only assume that, if he was not here, he must have been strong enough to get at least a little way. The course of their deductions was not apt to lead to such an unlikely possibility as kidnapping, at least not at first, and probably never. Do you remember seeing anyone on the road the day of the storm? Tall man, forty-two years old, sandy hair? Probably wearing blue jeans and a checked flannel shirt and a parka? Might have looked sort of bunged up? Hell, might not even have known who he was? Annie would give the cop coffee in the kitchen; Annie would be mindful that all the doors between there and the spare bedroom should be closed. In case he should groan. Why, no, officer - I didn't see a soul. In fact, I came back from town just as quick as I could chase when Tony Roberts told me that bad old storm wasn't turning south after all. The cop, setting down the coffee cup and getting up: Well, if you should see anyone fitting the description, ma'am, I hope you'll get in touch with us just as fast as you can. He's quite a famous Person. Been in People magazine. Some other ones, too. I certainly will, officer! And away he would go. Maybe something like that had already happened and he just didn't know about it. Maybe his imaginary cop's actual counterpart or counterparts had visited Annie while he was doped out. God knew he spent enough time doped out. More thought convinced him it was unlikely. He wasn't Joe Blow from Kokomo, just some transient blowing through. He had been in People (first best-seller) and Us (first divorce); there had been a question about him one Sunday in Walter Scott's Personality Parade. There would have been rechecks, maybe by phone, probably by the cops themselves. When a celebrity - even a quasi-celebrity like a writer disappeared, the heat came on. You're only guessing, man. Maybe guessing, maybe deducing. Either way it was better than just lying here and doing nothing. What about guardrails? He tried to remember and couldn't. He could only remember reaching for his cigarettes, then the amazing way the ground and the sky had switched places, then darkness. But again, deduction (or educated guesswork, if you wanted to be snotty) made it easier to believe there had been none. Smashed guardrails and snapped guywires would have alerted roadcrews. So what exactly had happened? He had lost control at a place where there wasn't much of a drop, that was what - just enough grade to allow the car to flip over in space. If the drop had been steeper, there would have been guardrails. If the drop had been steeper, Annie Wilkes would have found it difficult or impossible to get to him, let alone drag him back to the road by herself. So where was his car? Buried in the snow, of course. Paul put his arm over his eyes and saw a town plow coming up the road where he has crashed only two hours earlier. The plow is a dim orange blob in the driving snow near the end of this day. The man driving is bundled to the eyes; on his head he wears an old-fashioned trainman's cap of blue-and-white pillowtick. To his right, at the bottom of a shallow slope which will, not far from here, deepen into a more typical upcountry gorge, lies Paul Sheldon's Camaro, with the faded blue HART FOR PRESIDENT sticker on the rear bumper just about the brightest thing down there. The guy driving the plow doesn't see the car; bumper sticker is too faded to catch his eye. The wing-plows block most of his side-vision, and besides, it's almost dark and he's beat. He just wants to finish this last run so he can turn the plow over to his relief and get a hot cup of joe. He sweeps past, the plow spurning cloudy snow into the gully. The Camaro, already drifted to the windows, is now buried to the roof-line. Later, in the deepest part of a stormy twilight when even the things directly in front of you look unreal, the second-shift man drives by, headed in the opposite direction, and entombs it. Paul opened his eyes and looked at the plaster ceiling. There was a fine series of hairline cracks up there that seemed to make a trio of interlocked W's. He had become very familiar with them over the endless run of days he had lain here since coming out of the cloud, and now he traced them again, idly thinking of w words such as wicked and wretched and witchlike and wriggling. Yes. Could have been that way. Could have been. Had she thought of what might happen when his car was found? She might have. She was nuts, but being nuts didn't make her stupid. Yet it had never crossed her mind that he might have a duplicate of Fast Cars. Yeah. And she was right. The bitch was right. I didn't. Images of the blackened pages floating up, the flames, the sounds, the smell of the uncreation - he gritted his teeth against the images and tried to shut his mind away from them; vivid was not always good. No, you didn't, but nine out of ten writers would have - at least they would if they were getting paid as much as you have been for even the non-Misery books. She never even thought of it. She's not a writer. Neither is she stupid, as I think we have both agreed. I think that she is filled with herself - she does not just have a large ego but one which is positively grandiose. Burning it seemed to her the proper thing to do, and the idea that her concept of the proper thing to do might be short-circuited by something so piddling as a bank Xerox machine and a couple of rolls of quarters . . . that blip just never crossed her screen, my friend. His other deductions might be like houses built on quicksand, but this view of Annie Wilkes seemed to him as solid as the Rock of Gibraltar. Because of his researches for Misery, he had rather more than a layman's understanding of neurosis and psychosis, and he knew that although a borderline psychotic might have alternating periods of deep depression and almost aggressive cheerfulness and hilarity, the puffed and infected ego underlay all, positive that all eyes were upon him or her, positive that he or she was staffing in a great drama; the outcome was a thing for which untold millions waited with held breath. Such an ego simply forbade certain lines of thought. These lines were predictable because they all stretched in the same direction: from the unstable person to objects, situations, or other persons outside of the subject's field of control (or fantasy: to the neurotic there might be some difference but to the psychotic they were one and the same). Annie Wilkes had wanted Fast Cars destroyed, and so, to her, there had been only the one copy. Maybe I could have saved the damn thing by telling her there were more. She would have seen destroying the manuscript was futile. She - His breathing, which had been slowing toward sleep, suddenly caught in his throat and his eyes widened. Yes, she would have seen it was futile. She would have been forced to acknowledge one of those lines leading to a place beyond her control. The ego would be hurt, squealing - I have such a temper! If she had been clearly faced with the fact that she couldn't destroy his "dirty book", might she not have decided to destroy the creator of the dirty book instead? After all, there was no copy of Paul Sheldon. His heart was beating fast. In the other room the clock began to bong, and overhead he heard her thumping footfalls cross his ceiling. The faint sound of her urinating. The toilet flushing. The heavy pad of her feet as she went back to bed. The creak of the springs. You won't make me mad again, will you? His mind suddenly tried to break into a gallop, an overbred trotter trying to break stride. What, if anything, did all this dime-store psychoanalysis mean in terms of his car? About when it was found? What did it mean to him? "Wait a minute," he whispered in the dark. "Wait a minute, wait a minute, just hold the phone. Slow down." He put his arm across his eyes again and again conjured up the state trooper with the dark sunglasses and the overlong sideburns. We've found an overturned car halfway down Humbuggy Mountain, the state trooper was saying, and blah-de-blah-de-blah. Only this time Annie doesn't invite him to stay for coffee. This time she isn't going to feel safe until he's out of her house and far down the road. Even in the kitchen, even with two closed doors between them and the guest-room, even with the guest doped to the ears, the trooper might hear a groan. If his car was found, Annie Wilkes would know she was in trouble, wouldn't she? "Yes," Paul whispered. His legs were beginning to hurt again, but in the dawning horror of this recognition he barely noticed. She would be in trouble not because she had taken him to her house, especially if it was closer than Sidewinder (and so Paul believed it to be); for that they would probably give her a medal and a lifetime membership in the Misery Chastain Fan Club (to Paul's endless chagrin there actually was such a thing). The problem was, she had taken him to her house and installed him in the guest-room and told no one. No phone-call to the local ambulance service: "This is Annie up on the Humbuggy Mountain Road and I've got a fellow here, looks a bit like King Kong used him for a trampoline." The problem was, she had filled him full of dope to which she was certainly not supposed to have access - not if he was even half as hooked as he thought he was. The problem was, she had followed the dope with a weird sort of treatment, sticking needles in his arms, splinting his legs with sawed-off pieces of aluminum crutches. The problem was, Annie Wilkes had been on the stand up there in Denver . . . and not as a supporting witness, either, Paul thought. I'd bet the house and lot on that. So she watches the cop go down the road in his spandy-clean cruiser (spandy-clean except for the caked chunks of snow and salt nestled in the wheel-wells and under the bumpers, that is), and she feels safe again . . . but not too safe, because now she is like an animal with its wind up. Way, way up. The cops will look and look and look, because he is not just good old Joe Blow from Kokomo; he is Paul Sheldon, the literary Zeus from whose brow sprang Misery Chastain, darling of the dump-bins and sweetheart of the supermarkets. Maybe when they don't find him they'll stop looking, or at least look someplace else, but maybe one of the Roydmans saw her going by that night and saw something funny in the back of Old Bessie, something wrapped in a quilt, something vaguely manlike. Even if they hadn't seen a thing, she wouldn't put it past the Roydmans to make up a story to get her in trouble; they didn't like her. The cops might come back, and next time her house-guest might not be so quiet. He remembered her eyes darting around aimlessly when the fire in the barbecue pot was on the verge of getting out of control. He could see her tongue sticking her lips. He could see her walking back and forth, hands clenching and unclenching, peeking every now and then into the guest-room where he lay lost in his cloud. Every now and then she would utter "Goodness!" to the empty rooms. She had stolen a rare bird with beautiful feathers - a rare bird which came from Africa. And what would they do if they found out? Why, put her up on the stand again, of course. Put her up on the stand again in Denver. And this time she might not walk free. He took his arm away from his eyes. He looked at the interlocking W's swaying drunkenly across the ceiling.O WHY HAI THAR YOUNG PADAWAN. He didn't need his elbow over his eyes to see the rest. She might hang on to him for a day or a week. It might take a follow-up phone-call or visit to make her decide to get rid of her rara avis. But in the end she would do it, just as wild dogs begin to bury their illicit kills after they have been hunted awhile. She would give him five pills instead of two, or perhaps smother him with a pillow; perhaps she would simply shoot him. Surely there was a rifle around somewhere - almost everyone living in the high country had one - and that would take care of the problem. No - not the gun. Too messy. Might leave evidence. None of that had happened yet because no one had found the car. They might be looking for him in New York or in L.A., but no one was looking for him in Sidewinder, Colorado. But in the spring. The W's straggled across the ceiling. Washed. Wiped. Wasted. The throbbing in his legs was more insistent; the next time the clock bonged she would come, but he was almost afraid she would read his thoughts on his face, like the bare premise of a story too gruesome to write. His eyes drifted left. There was a calendar on the wall. It showed a boy riding a sled down a hill. It was February according to the calendar, but if his calculations were right it was already early March. Annie Wilkes had just forgotten to turn the page. How long before the melting snows revealed his Camaro with its New York plates and its registration in the glove compartment proclaiming the owner to be Paul Sheldon? How long before that trooper called on her, or until she read it in the paper? How long until the spring melt? Six weeks? Five? That could be the length of my life, Paul thought, and began shuddering. By then his legs were fully awake, and it was not until she had come in and given him another dose of medicine that he was able to fall asleep "I'd like some different paper, if you could get it," he said when she came back to put the typewriter and paper on the board. "Different from this?" she asked, tapping the cellophane-wrapped package of Corrasable Bond. "But this is the most expensive of all! I asked when I went into the Paper Patch!" "Didn't your mother ever tell you that the most expensive is not always the best?" Annie's brow darkened. Her initial defensiveness had been replaced by indignation. Paul guessed her fury would follow. "No, she did not. What she told me, Mister Smart Guy, is that when you buy cheap, you get cheap." The climate inside her, he had come to discover, was like springtime in the Midwest. She was a woman full of tornadoes waiting to happen, and if he had been a farmer observing a sky which looked the way Annie's face looked right now, he would have at once gone to collect his family and herd them into the storm cellar. Her brow was too white. Her nostrils flared regularly, like the nostrils of an animal scenting fire. Her hands had begun to spring limberly open and then snatch closed again, catching air and squashing it. His need for her and his vulnerability to her screamed at him to back off, to placate her while there was still time if indeed there still was - as a tribe in one of -those Rider Haggard stories would have placated their goddess when she was angry, by making sacrifice to her effigy. But there was another part of him, more calculating and less cowed, which reminded him that he could not play the part of Scheherazade if he grew frightened and placatory whenever she stormed. If he did, she would storm all the more. If you didn't have something she badly wants, this part of him reasoned, she would have taken you to the hospital right away or killed you later on to protect herself from the Roydmans - because for Annie the world is full of Roydmans, for Annie they're lurking behind every bush. And if you don't bell this bitch right now, Paulie my boy, you may never be able to. She was beginning to breathe more rapidly, almost to hyperventilate; the rhythm of her clenching hands was likewise speeding up, and he knew that in a moment she would be beyond him. Gathering up the little courage he had left, trying desperately to summon exactly the right note of sharp and yet almost casual irritability, he said: "And you might as well stop that. Getting mad won't change a thing." She froze as if he had slapped her and looked at him, wounded. "Annie," he said patiently, "this is no big deal." "It's a trick," she said. "You don't want to write my book and so you're making up tricks not to start. I knew you would. Oh boy. But it's not going to work. It - " "That's silly," he said. "Did I say I wasn't going to start?" "No . . . no, but - " "That's right. Because I am. And if you come here and take a look at something, I'll show you what the problem is. Bring that Webster Pot with you, please." "The what?" "Little jar of pens and pencils, " he said. "On newspapers, they sometimes call them Webster Pots. After Daniel Webster." This was a lie he had made up on the spur of the moment, but it had the desired effect - she looked more confused than ever, lost in a specialists" world of which she had not the slightest knowledge. The confusion had diffused (and thus defused) her rage even more; he saw she now didn't even know if she had any right to be angry. She brought over the jar of pens and pencils and slammed them down on the board and he thought: Goddam! I won No - that wasn't right. Misery had won. But that isn't right, either. It was Scheherazade. Scheherazade won. "What?" she said grumpily. "Watch." He opened the package of Corrasable and took out a sheet He took a freshly sharpened pencil and drew a fine on the paper. Then he took a ballpoint pen and drew another line parallel to the first. Then he slid his thumb across the slightly waffled surface of the paper. Both lines blurred smudgily in the direction his thumb was travelling, the pencil-line slightly more than the one he had drawn with the pen. "See?" "So what?" "Ribbon-ink will blur, too," he said. "It doesn't blur a much as that pencil-line, but it's worse than the ballpoint-ink line." "Were you going to sit and rub every page with your thumb?" "Just the shift of the pages against each other will accomplish plenty of blurring over a period of weeks or ever days," he said, "and when a manuscript is in work, it get shifted around a lot. You're always hunting back through to find a name or a date. My God, Annie, one of the first thing you find out in this business is that editors hate reading manuscripts typed on Corrasable Bond almost as much a they hate hand-written manuscripts." "Don't call it that. I hate it when you call it that." He looked at her, honestly puzzled. "Call what what?" "When you pervert the talent God gave you by calling it a business. I hate that." "I'm sorry." "You ought to be," she said stonily. "You might as well call yourself a whore." No, Annie, he thought, suddenly filled with fury. I'm no whore. Fast Cars was about not being a whore. That's what killing that goddamned bitch Misery was about, now that I think about it. I was driving to the West Coast to celebrate my liberation from a state of whoredom. What you did was to pull me out of the wreck when I crashed my car and stick me back in the crib again. Two dollar straight up, four dollar I take you around the world. And every now and then I see a flicker in your eyes that tells me a part of you way back inside knows it too. A jury might let you off by reason of insanity, but not me, Annie. Not this kid. "A good point," he said. "Now, going back to the subject of the paper - " "I'll get you your cockadoodie paper," she said sullenly. "Just tell me what to get and I'll get it." "As long as you understand I'm on your side - " "Don't make me laugh. No one has been on my side since my mother died twenty years ago." "Believe what you want, then," he said. "If you're so insecure you can't believe I'm grateful to you for saving my life, that's your problem." He was watching her shrewdly, and again saw a flicker of uncertainty, of wanting to believe, in her eyes. Good. Very good. He looked at her with all the sincerity he could muster, and again in his mind he imagined shoving a chunk of glass into her throat, once and forever letting out the blood that serviced her crazy brain. "At least you should be able to believe that I am on the book's side. You spoke of binding it. I assume that you meant binding the manuscript? The typed pages?" "Of course that's what I meant." Yes, you bet. Because if you took the manuscript to a printer, it might raise questions. You may be naive about the world of books and publishing, but not that naive.EPIC STORY IS EPIC LULS. Paul Sheldon is missing, and your printer might remember receiving a book-length manuscript concerning itself with Paul Sheldon's most famous character right around the time the man himself disappeared, mightn't he? And he'd certainly remember the instructions - instructions so queer any printer would remember them. One printed copy of a novel-length manuscript. Just one. "What did she look like, officer? Well, she was a big woman. Looked sort of like a stone idol in a H. Rider Haggard story. Just a minute, I've got her name and address here in the files . . . Just let me look up the carbons of the invoices . . . " "Nothing wrong with the idea, either," he said. "A bound manuscript can be damned handsome. Looks like a good folio edition. But a book should last a long time, Annie, and if I write this one on Corrasable, you're going to have nothing but a bunch of blank papers in ten years or so. Unless, of course, you just put it on the shelf." But she wouldn't want that, would she? Christ, no. She'd want to take it down every day, maybe every few hours. Take it down and gloat over it. An odd stony look had come onto her face. He did not like this mulishness, this almost ostentatious look of obduracy. It made him nervous. He could calculate her rage, but there was something in this new expression which was as opaque as it was childish. "You don't have to talk anymore," she said. "I already told you I'll get you your paper. What kind?" "In this business-supply store you go to - " "The Paper Patch." "Yes, the Paper Patch. You tell them you'd like two reams - a ream is a package of five hundred sheets - " "I know that. I'm not stupid, Paul." "I know you're not," he said, becoming more nervous still. The pain had begun to mutter up and down his legs again, and it was speaking even more -loudly from the area of his pelvis - he had been sitting up for nearly an hour, and the dislocation down there was complaining about it. Keep cool, for God's sake - don't lose everything you've gained! But have I gained anything? Or is it only wishful thinking? "Ask for two reams of white long-grain mimeo. Hammermill Bond is a good brand; so is Triad Modem. Two reams of mimeo will cost less than this one package of Corrasable, and it should be enough to do the whole job, write and rewrite." "I'll go right now," she said, getting up suddenly. He looked at her, alarmed, understanding that she meant to leave him without his medication again, and sitting up this time, as well. Sitting already hurt; the pain would be monstrous by the time she got back, even if she hurried. "You don't have to do that," he said, speaking fast. "The Corrasable is good enough to start with - after all, I'll have to rewrite anyway - " "Only a silly person would try to start a good work with a bad tool." She took the package of Corrasable Bond, then snatched the sheet with the two smudged lines and crumpled it into a ball. She tossed both into the wastebasket and turned back to him. That stony, obdurate look covered her face like a mask. Her eyes glittered like tarnished dimes. "I'm going to town now," she said. "I know you want to get started as soon as you can, since you're on my side - " she spoke these last words with intense, smoking sarcasm (and, Paul believed, more self-hate than she would ever know) "and so I'm not even going to take time to put you back in your bed." She smiled, a pulling of the lips that was grotesquely puppet-like, and slipped to his side in her silent white nurse" shoes. Her fingers touched his hair. He flinched. He tried not to but couldn't help it. Her dead-alive smile widened. "Although I suspect we may have to put off the actual start of Misery's Retum for a day . . . or two . . . perhaps even three. Yes, it may be as long as three days before you are able to sit up again. Because of the pain. Too bad. I had champagne chilling in the fridge. I'll have to put it back in the shed." "Annie, really, I can start if you'll just - " "No, Paul." She moved to the door and then turned, looking at him with that stony face. Only her eyes, those tarnished dimes, were fully alive under the shelf of her brow. "There is one thought I would like to leave you with. You may think you can fool me, or trick me; I know I look slow and stupid. But I am not stupid, Paul, and I am not slow." Suddenly her face broke apart. The stony obduracy shattered and what shone through was the countenance of an insanely angry child. For a moment Paul thought the extremity of his terror might kill him. Had he thought he had gained the upper hand? Had he? Could one possibly play Scheherazade when one's captor was insane? She rushed across the room at him, thick legs pumping, knees flexing, elbows chopping back and forth in the stale sickroom air like pistons. Her hair bounced and joggled around her face as it came loose from the bobby-pins that held it up. Now her passage was not silent; it was like the tread of Goliath striding into the Valley of Bones. The picture of the Arc de Triomphe cracked affrightedly on the wall. "Geeeee-yahhh!" she screamed, and brought her fist down on the bunched salt-dome that had been Paul Sheldon's left knee. He threw his head back and howled, veins standing out in his neck and on his forehead. Pain burst out from his knee and shrouded him, whitely radiant, in the center of a nova. She tore the typewriter off the board and slammed it down on the mantel, lifting its weight of dead metal as he might have lifted an empty cardboard box. "So you just sit there," she said, lips pulled back in that grinning rictus, "and you think about who is in charge here, and all the things I can do to hurt you if you behave badly or try to trick me. You sit there and you scream if you want to, because no one can hear you. No one stops here because they all know Annie Wilkes is crazy, they all know what she did, even if they did find me innocent." She walked back to the door and turned again, and he screamed again when she did, in anticipation of another bull-like charge, and that made her grin more widely. "I'll tell you something else," she said softly. "They think I got away with it, and they are right. Think about that, Paul, while I'm in town getting your cockadoodie paper." She left, slamming the bedroom door hard enough to shake the house. Then there was the click of the lock. He leaned back in the chair, shaking all over, trying not to shake because it hurt, not able to help it. Tears streamed down his cheeks. Again and again he saw her flying across the room, again and again he saw her bringing her fist down on the remains of his knee with all the force of an angry drunk hammering on an oak bar, again and again he was swallowed in that terrible blue-white nova of pain. "Please, God, please," he moaned as the Cherokee started outside with a bang and a roar. "Please, God, please - let me out of this or kill me . . . let me out of this or kill me." The roar of the engine faded off down the road and God did neither and he was left with his tears and the pain, which was now fully awake and raving through his body. *enter tl;dr (too long;didn't read) tag here*
To cut things short..'in before X' simply means that you post X 1st knowing someone's gonna post it eventually. Eg :
Dude 1 : Why do i always recieve negative comments?
Dude 2 : In before 'you have severe face problem'
Dude 3 : Dude i was gonna say that!
Dude 2 : SLOWPOKE~!!
In other words...the total pwnage of slowpokes..so there you go...you've just learned a new word today =D.
Now...what was i gonna post about again...?? Uhhh...........i forgot LOL....no srzly i forgot...= ="..potong stim loh...blah..anyways..here's a video for you guise to keep you guise occup-
Nvm i just remembered..LOL.
Here we go..two weeks ago i went to redang for 5 days 4 nights (18/3/09 - 22/3/09) for a break..which means to say i ponteng 2 days of school..since my school declared monday as a holiday due to sports day the day before..i don't mind elaborating more about my trip but i guess you guise don't give two sh*ts about it..so anyway...during my stay there i was literally harassed by bed bugs....i don't know why but it seems they like to
Friend : Dude, what's wrong with your hands?
Me : Err..
Friend : Omg...is it chicken pox?!?!
Me : Er....(i lol'd at his reaction..so i just played along)..yeah =/
Friend : OMG...you mean you haven't get yet?!?!!
Me : Looks like it.
Friend : You mean you know when you're getting chicken pox wan ah??(cuz the week before i left i told him i won't be coming to school for the next week)
Me : By right i'm supposed to stay at home for the next 3 weeks (
Friend : OMG STAY AWAY FROM ME AAHHH
Me : LOLS! *in my mind of course*
Me : You kena before adi right??
Friend : Y....ya-huh.....
Me : Then you're absolutely fine...once you kena adi you won't kena again one lah..rilek lah..(puts my arm around his shoulder)
Friend : Ar....ar...e...y...y...you....s-....sure.e...? (paranoid)
Me : Yes lah...besides..chicken pox can't spread THAT easily one lah..
Friend : Don't lie to me.
Me : Does it look like i'm lying to you?
Friend : Duh.
Me : = ="...whatever it is you'll be fine trust me.
Friend : *calls another friend of mine* dude dude...come here and look and his hand wei..
Me : *rawr*
Friend 2 : OMFG GET AWAY FROM ME OMG AHHHHHHHHHHH
Me : You get adi anot?
Friend 2 : NOO...SO STAY AWAY FROM ME!! *runs back to his table*
Me : Lol..."maybe i should play wif him for awhile"
Me : *walks to his table* Hello friend....long time no see eh..how's life?
Friend 2 : OMG WHAT DO YOU WANT?!?!
Me : just saying hi..th-...oh hey..nice pen..*picks up the pen*
Friend 2 : OMG DON'T TOUCH IT~!!! OMG NOW MY PEN'S CONTAMINATED AND NOW I'M GONNA GET CHICKEN POX AHHHHHHHHHHHHHHH
Me : Lol...so paranoid for what..chicken pox doesn't spread as easy as you think lah..besides, better to get now than later right?? i'm trying to help you you know..you should be thanking me..
Friend 2 : JUST STAY AWAY FROM ME OMGOMGOMG.
Me : alright alright....suit yourself...*walks away*
Me : *laughs my ass out at one corner.*
I seriously can't believe
Now this is where the epicness kicks in.
A day later when i was taking attendance i realized one girl was absent...i was surprised cuz i've never seen her absent before..so i just wrote down her name and informed the teacher...I expected her to come back to school the following day..
And she did.
But...
There were red spots all over her face and some on her hands....everyone gave her one look...so i went and ask her :
Me : You alright?
Friend : Yeah..
Me : What happened to you??
Friend : You think??
Me : Chicken pox......?
Friend : Mmm-hmm
Me : *AWKWARD SILENCE*
Friend : I had it on friday....went to teh hospital to do a check-up..doctor said it's a minor one..he said i'm gonna be alright..
Paranoid Friend (the one i mentioned earlier) : YOU SEE!!!! YOU SEEEEE!!!!!!!!! LOOK WHAT YOU'VE DONE...SUMMORE SAY DOSEN'T SPREAD SO EASILY HUH...LOOK WHO'S TALKING NOW GENIUS...LUCKILY I HAVE THE BRAINS UNLIKE YOU...YOURS IS THE SIZE OF A PEANUT..
Me : ...... *tries to play along* oh hey partner..! life's good huh? like they say..two is always better than one right??
Paranoid Friend & Chicken Pox Friend : GTFO!!
Me : *Epic PwnzZ0red*
Till this date everyone still thinks i still have chicken pox..which in fact i don't..and my paranoid friend is as paranoid as ever...
Me : Hey can i-...
Paranoid Friend : STAY AWAY FROM ME..GIT OUT MY FACE..DON'T BREATHE IN MY AIR...
So yeah, I think that's about it i can blog about..
PS : Drop a comment at teh shoutbox kthxbai.
PS : Drop a comment at teh shoutbox kthxbai.
PPS : Here's the vid i wanted to upload earlier...i think it's too cute good to be left unseen.
I know it just sounds wrong for me to say this but this is seriously the cutest shit i've ever seen in my 14 years of life.
EFG.
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